Articles

• ZANGO VOLUME 36/2023

  ZANGO Volume 36 Special Issue.pdf

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• EDITORIAL COMMENT

  Innocent Mutale Mulenga

  i-vi

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• REFLECTING AND MODULATING TRADITIONAL MASCULINITY IDEOLOGICAL STANDPOINTS: A STYLISTIC ANALYSIS OF ABEL CHUNGU’S SONG ‘MWAMUNA SAMALILA’

  Trevor Mwansa, Hambaba Jimaima, Gabriel Simungala

  1-14

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• INTERMINABLE VIRGINS IN A RUSTING COUNTRY? THE PORTRAYAL OF THE COVID-19 PERIOD IN THE SONGS WE WILL DANCE AGAIN BY MATTHEW TEMBO AND DZUWA BY SLAP DEE

  Gankhanani Moffat Moyo, Bether Mwale Moyo

  15-29

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• A SOCIO-STYLISTIC ANALYSIS OF EUPHEMISTIC EXPRESSIONS AND SYMBOLISM IN THE DIRGES OF THE PEOPLE OF LUAPULA PROVINCE

  Eunice Mukonde, Prisca Chikuta, Bwalya Lombe Musonda

  30-44

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• BEYOND THROBBING DRUMS AND PIERCING FLUTES: BUDIMA ORAL PERFORMANCES AND THE CULTURAL RESILIENCE OF THE ZAMBEZI VALLEY TONGA

  John Bwana Siakavuba, Mickias Musiyiwa

  45-61

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• MATERIAL NARRATION OF NOSTALGIA AND MODALITY IN THE LYRICS OF SAGA’S KUMUNZI KUBOTU

  Hambaba Jimaima, Gabriel Simungala, Trevor Mwansa

  62-71

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• THE FIGURATIVE LANGUAGE OF SEXUAL PERFORMANCE: THE CASE OF CINAMWALI SONGS OF THE NGONI PEOPLE OF MTENGULENI IN CHIPATA DISTRICT OF EASTERN ZAMBIA

  Charity Khondowe, Gankhanani Moffat Moyo

  72-85

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• RESEMIOTISATION AND INTERTEXTUALITY IN MUSICAL DISCOURSES: THE SOCIOCULTURAL NARRATIVES OF ‘DUNUNA REVERSE’, A ZAMBIAN POLITICAL PARTY CAMPAIGN SONG

  Gabriel Simungala, Hambaba Jimaima, Trevor Mwansa

  86-96

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• INTERROGATING MOSES SAKALA’S FUNERAL SONG, ‘CHOBABA’: SOME DISCOURSE INSIGHTS

  Naomi Njobvu, Kelvin Mambwe, Hambaba Jimaima

  97-108

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• DICTION AND SYMBOLISM IN SISTA D’S VITENDENI: A SEMIOTIC APPRAISAL

  Hambaba Jimaima, Naomi Njobvu

  109-118

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• ORAL SONGS AND WEDLOCK: TRADITIONAL SONGS AS CEMENT OF CONNUBIAL UNION IN THE BEMBA TRADITIONAL SOCIETY

  Shadreck Kondala

  119-131

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